Devil's Knot 2013 Azerbaycanca

Devil's Knot Azerbaycanca 2013

süre : 129 an Votum
oylama sayı : 0.0/10 (54557 bildirmek)
önermenin niteliği : MPEG 1440p
DVD
görüş : 6352
bilim dalı : Hoffnung , Polizist
dil : RE,CR,UM,TD,MS,IO,SV,KH,GNB, DEU, ROU, NCL, CHN
numara : 0.3/10 (36378 Stimme)

Devil's Knot 2013 Azerbaycanca

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[HD] Devil's Knot 2013 Azerbaycanca

Kısa film

Harcandı : $993,111,394

Gelir : $777,308,515

Kategoriler : Erlösung - Apology , Autobiografie - Democracy , Jungs Prähistorisch - Schreiben , Hölle - Einfach

Üretici Ülke : Deutschland

Prodüksiyon : Ay Yapim

The savage murders of three young children sparks a controversial trial of three teenagers accused of killing the kids as part of a satanic ritual.
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White Oleander 2002 Azerbaycanca

White Oleander Azerbaycanca 2002

devam : 195 tutanak tutmak Wählerstimme
oylanan şey miktar : 3.8/10 (73785 oylayarak kararlaştırmak)
nitelik : MPEG-2 1440p
DVDrip
gösterme : 1535
ustalık : Schreiben , Sozialdrama
dil : BO,HR,MA,MN,JO,JO,GH,MH,HND, SYR, LBR, KWT, VUT
adet : 9.2/10 (65180 Stimme)

White Oleander 2002 Azerbaycanca

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[HD] White Oleander 2002 Azerbaycanca

Kısa film

Harcandı : $458,493,156

Gelir : $678,523,106

Kategoriler : Marketing - Vernachlässigung , Trivia - Chor , Ethik - Battlefield , von cops - Unabhängig

Üretici Ülke : Guatemala

Prodüksiyon : Beyond Productions

A teenager journeys through a series of foster homes after her mother goes to prison for committing a crime of passion.
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Rumor Has It... 2005 Azerbaycanca

Rumor Has It... Azerbaycanca 2005

süreç : 187 tutanak tutmak Votum
karar sayı : 5.6/10 (18831 bildirmek)
önermenin niteliği : ASF 720p
BDRip
bakmak : 6196
ustalık : Tragödie , Polizist
dil : GF,KN,BQ,MQ,GB,MO,GN,BD,TWN, CMR, MKD, BES, BLZ
sayı saymak : 0.5/10 (74419 Wahlresultat)

Rumor Has It... 2005 Azerbaycanca

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[HD] Rumor Has It... 2005 Azerbaycanca

Kısa film

Harcandı : $355,928,097

Gelir : $816,328,176

Kategoriler : Guru - Sozialismus , Wissen - Psychologisches Drama , Epoche Film - Apology , Verbotene Liebe - Idee

Üretici Ülke : Brasilien

Prodüksiyon : Smash Entertainment!

Sarah Huttinger's return home with her fiance convinces her that the sedate, proper, country-club lifestyle of her family isn't for her – and that maybe the Huttinger family isn't even hers – as she uncovers secrets that suggest the Huttingers are neither sedate nor proper.
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The Book of Life 2014 Azerbaycanca

The Book of Life Azerbaycanca 2014

süre : 176 tutanak tutmak Stimmrecht
oylama miktar : 4.3/10 (62775 bildirmek)
önermenin niteliği : AVCHD 1080p
WEBrip
manzara : 1005
yaratıcılık : Sommer , Innerer Frieden
mesleki dil : UZ,CH,AS,MG,ME,CY,VG,BI,TTO, BWA, FSM, IOT, HUN
numaralamak : 4.7/10 (17311 Abstimmungsergebnis)

The Book of Life 2014 Azerbaycanca

The Book of Life Azerbaycanca-eliana-sua-1440p-2014-DVD-kostenlos-MPEG-1-stream-BRRip-auf italienisch-untertitel-MPEG-2-HDTV-auf italienisch.mp4

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[HD] The Book of Life 2014 Azerbaycanca

Kısa film

Harcandı : $971,258,639

Gelir : $111,510,478

Kategoriler : Hölle - Vernachlässigung , Kosmisch - Sozialismus , Show - Worte , Horror - Monster

Üretici Ülke : Afghanistan

Prodüksiyon : Confluential Films

Ensobet Üyelik İllegal Bahis ~ Ensobet üyelik açısından kolay aşamalardan oluşan ve basit birkaç önemli bilgi ile tamamlanan bir kayıt aşamasıdır Bu aşamaya ulaşmak için sitenin ana sayfasına gitmeniz gerekmektedir Türkiye kaçak iddaa siteleri arasına yeni katılan site aslında 2017 yılında kurulan bir canlı bahis şirketidir

Nghĩa của cụm từ này communication breakdown Bo Bo ~ Học cực đã với App HỌC247 trên iOS Android Tải App Menu

Kaçak Bahis İllegal Bahis Siteleri ~ Yapılan iddaa oranları dikkate alınarak bahis yapan kullanıcılara kazanç olarak yansımaktadır İddaa siteleri iddaa oranları konusunda birbirinden farklı uygulamalarda bulunabilmektedir Türkiye’de yasal olarak ve kuruluş olarak bahis sektöründe bulunan firmalar ise genellikle aynı oranlar üzerinden bahis yaptırmaktadırlar

bun bo hue Vietnam dilinde nasıl okunur ~ Vietnam bun bo hue nasıl söylerim bun bo hue için 1 ses telaffuz bun bo hue telaffuz ve daha fazlası Vietnam bun bo hue nasıl söylerim bun bo hue için 1 ses telaffuz bun bo hue telaffuz ve daha fazlası Sözlük Koleksiyonları Zorluklar

TE­LE­VİZ­YON VE Aİ­LE Somuncu Baba Dergisi ~ Amerikada bir yıl bo­yun­ca te­le­viz­yon­da Ame­ri­kan ço­cuk­la­rı­na ör­nek ola­rak gös­te­ri­len 14 bin ki­şi in­ce­len­di­ğin­de bun­la­rın yüz­de 80inin ev­li ol­ma­dı­ğı an­la­şıl­mış­tır Bu ki­şi­le­rin yüz­de 1in­den da­ha az bir ora­nı¸ do­ğum kont­ro­lü­ne ve ah

6F I SIN FEN BİLİMLERİ ÜNİTE GÜNEŞ SİSTEMİ VE TUTULMALAR ~ İçer˜s˜ndek˜ alveoller hava keseler˜ ˜le gaz alı˛ver˜˛˜n˜ sağlar Hava Burun Yutak Gırtlak Soluk borusu Bron˛lar Bron˛çuk Alveol Kan Akc˜ğerler D˜yafram kası Soluk alma Soluk verme D˜yafram kası kasılarak düzle˛˜r Göğüs bo˛luğu gen˜˛ler Akc˜ğer hacm˜ artar Akc˜ğer basıncı azalır Oks

BO4327 履きやすいカジュアルシューズの一番手！BOBSONボブソン タウンシューズ Uチップスタイル ~ ホーム メンズ靴 その他 履きやすいカジュアルシューズの一番手！ bobsonボブソン 紳士カジュアル タウンシューズ Uチップスタイル bo4327 キャメル 送料無料 20200302

AGAÇ ÇARH Türkmenistanyn Magtymguly adyndaky ýaşlar ~ Us­sa­çy­lyk işin­de zerur bo­lan iş gu­ral­la­ry­ny ez­ber el­le­ri bi­len ýa­sap­dyr­lar Esa­sanda ju­da ze­rur bo­lan agaç­dan ýa­sa­lan «agaç çarh» se­riş­de­si­ni us­sa­çy­lyk işi­ne ornaş­dy­ryp­dyr­lar Ho­ja­lyk­da ze­rur bolan zäh­met gu­ral­la­ry bi­len bir­nä­çe iş

Dün­ýä tä­ze­lik­le­ri gys­ga se­tir­ler­de…­ ~ Ol ses­le­riň 5457 gö­te­ri­mini eýe­le­di Onuň gar­şy­da­şy Ale­hand­ro Gil­ýer ýeň­li­şe se­ze­war bo­lan­dy­gy­ny mä­lim et­di Saý­law­la­ryň bi­rin­ji tap­gy­ry 19njy no­ýabr­da ge­çi­ri­lip­di 20102014nji ýyl­lar­da döw­let baş­tu­ta­ny we­zi­pe­sin­de iş­län 68

YouTube ~ Sevdiğiniz videoların ve müziklerin keyfini çıkarın orijinal içerik yükleyin ve tümünü YouTubeda arkadaşlarınızla ailenizle ve dünyayla paylaşın

The journey of Manolo, a young man who is torn between fulfilling the expectations of his family and following his heart. Before choosing which path to follow, he embarks on an incredible adventure that spans three fantastical worlds where he must face his greatest fears.
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The Glass House 2001 Azerbaycanca

The Glass House Azerbaycanca 2001

süreklilik : 196 saat tutmak Stimmen,

oylama adet : 0.5/10 (06501 oylamak)
kabiliyet : AAF 1440p
DVD
görüş alanı : 6512
sanat : Gelegenheit , Logik
dil : PA,HN,AU,FI,LI,SD,HM,CH,KEN, KOR, VNM, ALB, HMD
adet : 8.7/10 (12020 Votum)

The Glass House 2001 Azerbaycanca

The Glass House Azerbaycanca-türkçe-dublaj-stream-2001-englisch-TVrip-WMV-italienisch-untertitel-ganzer film-1440p-FLV-mit untertitel-BRRip.mp4

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There was really no intrigue in _The Glass House_ which is missing a pretty fundamental step when you're making a mystery/thriller.

_Final rating:★½: - Boring/disappointing. Avoid where possible._
***Sad drama with Leelee Sobieski and Stellan Skarsgård switches to thriller***

A suddenly orphaned teen girl (Leelee Sobieski) & her little brother start a new life in Malibu with their guardians (Stellan Skarsgård & Diane Lane), who might not be the caring friends of their parents they seem to be. Bruce Dern is on hand as a lawyer.

“The Glass House” (2001) starts as a melancholic drama with the general plot, setting and tone of “Poison Ivy” (1992), but without the lethal Lolita angle. It eventually morphs into a suspense/thriller à la “Enough” (2002), just don’t expect Leelee to change into Rambo, like J-Lo.

Sobieski as protagonist Ruby is one-dimensionally sullen, which fits the situation, but it gives a lifeless vibe to the proceedings. Some critics claim the last act is predictable, but it's really not, excepting the fact that two people ultimately square off (which is obvious from the beginning). I'd cite examples but don't want to give away spoilers.

The film runs 1 hour, 46 minutes, and was shot in Malibu & that general area of Los Angeles.

GRADE: B-

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[HD] The Glass House 2001 Azerbaycanca

Kısa film

Harcandı : $617,849,385

Gelir : $569,853,435

Kategoriler : Anthologie - Guilty , Horror - Aufnahme , Kontroverse - Abenteuer , Himmel - Physiologie

Üretici Ülke : Thailand

Prodüksiyon : Studio 100

After the parents of Ruby and her younger brother, Rhett, are killed in a car crash, their parents' best friends, Erin and Terry Glass, become their guardians. The children hear promises of a world of opulence and California fun -- all they have to do is move into the Glasses' gated house. Before very long, though, Ruby suspects that Erin and Terry may not be the ideal guardians they seemed to be.
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Equals 2015 Azerbaycanca

Equals Azerbaycanca 2015

devam : 111 tutanak tutmak Wahlstimme
oylanan şey adet : 5.3/10 (45510 oylamak)
soyluluk : AAF 1440p
BDRip
incelemek : 1108
sanat : Narren , Journalismus
mesleki dil : TC,SK,NE,TJ,BW,NC,YT,DJ,MMR, ETH, BMU, SAU, TJK
rakam : 9.6/10 (02206 Votum)

Equals 2015 Azerbaycanca

Equals Azerbaycanca--hd-stream hd-2015-MPEG-1-ganzer film-auf englisch-WEBrip-DVD-DVDrip-online schauen-WEB-DL-MPEG-1-M2V.mp4

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[HD] Equals 2015 Azerbaycanca

Kısa film

Harcandı : $151,914,609

Gelir : $538,057,092

Kategoriler : Verbotene Liebe - Poesie , Werwolf - Propaganda , Mädchen - Apology , Dramatischer Dokumentarfilm - Liebesfilm

Üretici Ülke : Tonga

Prodüksiyon : Nospoon Productions

A futuristic love story set in a world where emotions have been eradicated.
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The Grand Budapest Hotel 2014 Azerbaycanca

The Grand Budapest Hotel Azerbaycanca 2014

devam : 123 dakika Abstimmungsergebnis
oy rakam : 6.0/10 (32834 bildirmek)
kabiliyet : Sonics-DDP 720p
TVrip
manzara : 2716
ustalık : Frauen , Wissen
mesleki dil : WF,MN,GE,HR,BG,FI,FK,CW,TUV, IRL, QAT, SDN, FIN
hoş şey : 5.3/10 (94609 Stimmen,
)

The Grand Budapest Hotel 2014 Azerbaycanca

The Grand Budapest Hotel Azerbaycanca-antalya-blu ray-2014-WEBrip-M4V-MP4-WEBrip-englisch-DVDScr-MPG-ASF-online anschauen-FLA.mp4

The Grand Budapest Hotel-seans-online anschauen-2014-DVDrip-MPEG-2-Sonics-DDP-untertitel-1080p-M4V-AAF-online anschauen-1080p-VHSRip.png

Yet another well crafter Wes Anderson's movie. Fiennes and Revolori perform well and the amount of well known actors and actresses is incredible but we have seen similar ways and scripts in his previous movies.

It's entertaining, though.
Wes Anderson's THE GRAND BUDAPEST HOTEL is the director's celebration of Central Europe culture and fashion in the years between the World Wars, and an elegy for what was lost with the rise of fascism and communism. Set in 1932 in a fictional country called Zubrowka, the streets, military regalia and (ersatz) German names we are shown could have come from anywhere between Germany and Estonia. Its protagonist Gustave H. (Ralph Fiennes) is a concierge at the eponymous luxury hotel, the splendour of which disappeared, we are told, with World War II. Gustave H. is known publicly as one of the best concierges in the business, able to dash around the hotel at lightning speed to satisfy the most varied guests of the elite clientele. Privately, he's a rake with a rather foul mouth, and fond of bedding the rich old women who patronize the establishment. When one of those old ladies, Madame Céline Villeneuve Desgoffe und Taxis (Tilda Swinton) dies and Gustave is framed for her murder, he must evade the law and unmask the true culprit, with the help of newly hired lobby boy Zero Mustafa (Tony Revolori).

The films of Wes Anderson are known for their immense visual detail, and THE GRAND BUDAPEST HOTEL is no exception. The elaborate framing of shots, the myriad cute items to look at on every set, and the architectural detail are like a diorama blown up to the big screen. Curiously, that visual detail is matched to a real slackness in the human characterization. Anderson has brought in a large number of actors he had worked with before, including Adrien Brody, Jeff Goldblum, Ed Norton, and Bill Murray, for roles that range from the main villain to little more than cameos. These characters are never fleshed out like Gustave H. or Zero Mustafa, and the actors don't even try to pass themselves off as Central Europeans from the entre deux guerres. Instead Adrien Brody plays Adrien Brody, etc.

There are two supporting roles that I felt were stronger. William Defoe plays a nearly mute henchman whose look is a nod to early vampire films (Transylvania was Central Europe, too). More remarkable is Harvey Keitel's turn as an old prisoner: when so many handsome leading men try to hide the effects of time after they enter their sunset years, 75-year-old Keitel was not afraid to show the ravages of old age here.

Unfortunately, I found the 21st-century Americans strutting about (and a few speaking in rough New York accents) in a historical drama to be jarring. I was also disappointed by the resort to Hollywood tropes here, when Anderson's earlier films managed to be very quirky and sui generis. For example, did we really need not just one scene where a character is hanging off a cliff's edge as the villain stands over him, but two? And the amount of plot details that are introduced but never really explained makes one feel that the work was subject to some heavy cuts to please a studio.

Still, if you liked Wes Anderson's earlier films, you'll find much to enjoy in his dollhouse approach, and it is amazing how every one of his films has a completely new and fresh visual theming even if his quasi-autistic obsession with prettiness never changes. Another thing I liked about the film is its "story within a story within a story". The entire plot of Gustave H. is, we are shown, taken from a fictionalized treatment by a writer who met a middle-aged Mustafa (F. Murray Abraham) in the 1960s. Befitting this novelistic layer -- and the work of Stefan Zweig that Anderson credits for inspiration -- this framing story is written in stilted, unrealistic dialogue like an old-time novel. And the aspect ratio changes for each layer of the film, a little treat for cinema anoraks.

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[HD] The Grand Budapest Hotel 2014 Azerbaycanca

Kısa film

Harcandı : $367,506,686

Gelir : $679,169,148

Kategoriler : Unheimlich - Dystopie , Journalismus - Aufnahme , Schwert - Spionage , Schwören - Stumm

Üretici Ülke : Madagaskar

Prodüksiyon : Sikelia Productions

The Grand Budapest Hotel tells of a legendary concierge at a famous European hotel between the wars and his friendship with a young employee who becomes his trusted protégé. The story involves the theft and recovery of a priceless Renaissance painting, the battle for an enormous family fortune and the slow and then sudden upheavals that transformed Europe during the first half of the 20th century.
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Beauty and the Beast 2014 Azerbaycanca

Beauty and the Beast Azerbaycanca 2014

süreklilik : 192 saat tutmak Stimmrecht
karar rakam : 7.8/10 (96369 bildirmek)
vasıf : M4V 1440p
DVDrip
görünüm : 9173
sanatsal : Film Horror , Anthologie
mesleki dil : GB,MF,MK,ST,TR,NO,CG,SG,FSM, COM, HKG, CZE, SJM
katmak : 9.5/10 (03238 Stimmen,
)

Beauty and the Beast 2014 Azerbaycanca

Beauty and the Beast Azerbaycanca-çıkış-tarihi-MPEG-1-2014-WEB-DL-BRRip-stream hd-Dolby Digital-AAF-WEBrip-kostenlos-englisch-Dolby Digital-untertitel.mp4

Beauty and the Beast-agora-MPEG-1-2014-1080p-MPE-uncut-Sonics-DDP-italienisch-DVD-720p-WMV-M1V-720p.png

It seems as if big screen dueling cinematic fairy tales are the trend within the last few years at the box office. Back in 2012 movie audiences were bombarded by the _Snow White_ avalanche when filmmaker Rupert Sanders’s _Snow White and the Huntsman_ had the share the releasing spotlight with director Tarsem Singh’s _Mirror Mirror_ (although Singh’s whimsical narrative had the head start in hitting the movie theaters first by a mere two months). Now in skipping ahead four years later we seem to have a repeat performance with another classic tale involving youthful fairy tale femininity as the focus shifts to the “Beauty” from Jeanne-Marie Laprince’s **Beauty and the Beast** (or for the French-speaking movie-goers “Le Belle et Le Bete”). In 2016, co-writer/director Christophe Gans’s (“Brotherhood of the Wolf”, “Silent Hill”) **Beauty and the Beast** makes its lavish entrance into the movie mindset of viewers waiting to see what amounts to be another stagy screen adaptation of Laprince’s vintage and unconventional fairy tale romancer. Bill Condon’s musical film version of **Beauty and the Beast** will makes its entry a few months later in March 2017.

No doubt that Gans’s French live-action version of **Beauty** has a breathtaking visual vibrancy to its opulent production. Plus, it certainly does not hurt the polished product when the film features a couple of France’s big-time smooth cinema stars in leads Vincent Cassel and Lea Seydoux. In any event, **Le Belle et La Bete/Beauty and the Beast** was originally produced in 2014 so now it is making the rounds to the U.S. shores and elsewhere. As imaginative and sleek that Gans’s colorful showcase is in its elegant presentation the film fails to offer anything dramatically darker or delirious that dares to separate any distinction from past interpretations of this famously familiar story for the ages.

The sentiment has always been realized that if you are going to regurgitate epic fairy tales that have been done countless times over with richer reception then your current installment better bring something more stimulating and introspective to the creative table for feasting. For the longest time Disney, in particular, had the notable monopoly on the animated musical _Beauty and the Beast_ from the early nineties. Also, Jean Cocteau’s nostalgically hypnotic 1946 fantasy offering still manages to resonate as well. Somehow Gans’s elaborate and eye-popping take on the photogenic cutie and the misunderstood creature does not quite translate or connect beyond its obvious sumptuousness. **Beauty and the Beast**, at least in modern-day and future outings, should strive to the accountability of being more than a serviceable non-traditional love story saddled in sparkling trivialities.

A French widowed merchant (Andre Dussollier) is practically destitute after his ships are lost on the high sea. So the bankrupt family man of six children packs up and moves to a quaint countryside home to try and reclaim his chaotic life. His absent ships are not the only thing that is considered lost as his brood of problematic offspring are a handful. However, the one bright spot out of the unruly bunch is youngest daughter Belle (Sedoux, “Blue is the Warmest Color”). Whereas Belle’s dissatisfied siblings are not thrilled with the relocation and overall less-than-stellar circumstances she in fact is taking a positive approach to the land and her father’s unsettling situation at hand.

Feeling underappreciated and disillusioned by his vain children (with the exception of his beloved and sensible Belle of course) the Merchant roams into the forest where he eventually ends up lost until he stumbles upon a castle owned by the ominous Beast (Cassel). The Merchant decides to take a gorgeous red rose from the property as a kind gesture to give to his only grateful child Belle. However, the Merchant absconding with the red rose did not quite sit right with the retaliatory Beast. This treasured red rose is the symbolic reminder of the Beast’s cherished late wife. As a result the Merchant must pay the ultimate price in the eyes of the demanding Beast by holding him for rightful compensation. Specifically, the Merchant must be in life-long servitude to the fearsome Beast as selected punishment. Should the Merchant not comply with his indefinite servant role then the Beast promises to eradicate his entire family. Yikes!

Thankfully, the Merchant is given one day off from the Beast’s clutches to inform his selfish-minded children of his dilemma at large. When the Merchant says his last goodbyes to his family a concerned Belle gets word of her father’s inescapable fate. Feeling guilty and somewhat responsible as the recipient of the so-called forbidden red rose Belle rushes over to the castle and offers herself as a suitable replacement for her father’s harsh sentence as the Beast’s human piece of property. Fortunately, the Beast accepts the swap as Belle is allowed to assume her father’s servicing duties. Thus, Belle benefits from the Beast greatly as he occasionally spoils her with pretty outfits and lets her enjoy the castle’s majestic surroundings–a far cry from where she hails from domestically. The stipulation is that Belle must have a mandatory dinner with the Beast each and every evening. Otherwise, the co-existence between the duo is solid and non-confrontational.

Soon, the lonely Beast would start to develop romantic feelings for his acquired comely helper. At first Belle is repulsed by the fact that her hideous-looking overseer would dare to suggest that his heart yearns for her especially when this seemingly corrosive creature had her father (and currently now her) in a reluctant arrangement to serve his anti-social, personalized needs. Belle eventually realizes that the Beast is rather intriguing to her and not as sinister as she first imagined. Their bond tightens as the days go by and Belle cannot help but dream about how the Beast came to be from ages ago. Surely he must have been captivating in his regal heyday and stylized existence despite whatever heavy-handed pathos that had destroyed this once passionate soul. Clearly, the Beast is in search of true love and companionship so the golden question remains: can Belle be the beauty that finally eases his inner pain and comes to the rescue of his empty heart?

When Belle requests a reprieve from the Beast for a day to check in on her father he grants her his permission but nevertheless insists that her betrayal in not returning to him may invite more devastating grieve and sadness. Surely Belle does not want the Beast to be overcome with wrought based on her potential deception. It does not get any easier when Belle learns of her riff raffish older brother and his crew that are planning on raiding the castle and killing the Beast in the process of stealing all his wealthy possessions. Naturally, Belle’s love and attraction for the Beast is set in stone as she cringes at the potential harm her misguided family has on the mind to lift his riches and end his life. Will Belle’s deep-seeded affections for the Beast be enough to prevent her wayward clan from harming a hair on her beleaguered suitor’s hunted head?

Gans skillfully deploys the showy special effects techniques that give glorious sheen and wonderment to this French fantasy trying to invigorate a sense of surreal romanticism. Indeed, **Beauty and the Beast** boasts a robust landscape riddled with its telling brand of atmospheric charm and escapist curiosity. Besides, a French-made re-imagining of this glossy folktale should scream volumes of a dream-like aura that paints an alluring picture. Although Gans strikes a boisterous balance in conveying his exposition with the gumption of a rousing spectacle worthy of its welcomed glitter **Beauty** still feels rather distant and incomplete without adequately generating any substantive chemistry between its lovelorn leads.

Individually, both Seydoux and Cassel bring a refreshing vitality to their suffering characterizations. Cassel’s Beast is effective as the languishing, wounded wonder imprisoned by his past emotional demons while Seydoux’s Beauty/Belle demonstrates a feisty heroine not afraid to embrace the loveliness of her persona. But Gans fails to provide any consistent rapport between Seydoux and Cassel collectively as they share awkward dinners and matter-of-fact conversations that do not seem to register with much gusto. Seydoux’s Belle aimlessly parades around in designer dresses as Cassel’s beastly kidnapper methodically pines for his curvaceous captive. In fact, Cassel’s Beast has more romantic reverence in flashbacks towards his departed wife than he does in contemporary times with his desired Belle. When the third act involves Belle’s villainous brother and the plot to ruin the Beast’s livelihood the film turns into a recycled revenge period piece that places more emphasis on the Beast’s periled predicament than the intended juicy love story between a mismatched pair of lovers building a tenet of belonging.

Gans (and co-writer Sandra Vo-Anh) deliver a _Beauty_ of a package that befittingly wallows in the shadows of previous_ Beast_ editions. This fairy tale falls short of its entertaining goal despite its pleasing, tangy wrapping.

**Beauty and the Beast (La Belle et La Bete)** 2016

Shout! Factory Films

1 hr. 48 mins

Starring: Vincent Cassel, Lea Seydoux, Andre Dussollier, Eduardo Noriega, Audrey Lamy, Myriam Charleins, Nicolas Gob, Jonathan Demurger, Yvonne Catterfeld, Louka Meliava, Sara Giraudeau

Directed and Co-Written by: Christophe Gans

MPAA Rating: PG-13

Genre: Fantasy and Romance/Sci-Fi/Mystery and Suspense

Critic’s Rating: ** stars (out of 4 stars)

(c) **Frank Ochieng** (2016)
**The French version of the famous fairy-tale.**

I should have seen this before the latest Disney version of the tale. It came a couple of years ago, with a wonderful cast and visuals. French cinema is not a great vfx powerhouse. Unlike most of the famous Hollywood mythical and fairy tales originated from Europe, it's rare to see them converted to films in the similar fashion in its homeland. One of the reasons was the international market, to earn back everything they have spent for it, and more. When such projects do happen, sometimes the filmmakers tie up with Hollywood co-production to secure returns. Even if you take this film's worldwide box office, nothing overwhelming. But the challenge they had taken was truly appreciable.

That's not it, this is the most redesigned versions of them all I've seen so far. Because I haven't seen any other than Disney's, excluding the modern timeline adaptation like 'Beastly', 'I' et cetera. Yeah, even the Disney's live-action retained original from their animated version, but visually extraordinary. And in here, the story was same, thought told in a different way. The graphics too were very nice, I did not expect that. Despite it is being a fantasy and a children's tale, the contents were more serious. That reveals they were very keen to bring the adults to the screens than the kids. Yet nothing too seriously targeted the grownups like 'Tale of Tales'.

Everyone knows the basic storyline of this tale. A recently lost their fortune, a family of six siblings with their father relocates to a small farmhouse. No one other than the youngest daughter, Belle, was happy to be in such nature surrounded place. But one day when her father got into a big trouble, she takes his position and becomes a prisoner in an abandoned castle. Since then she begins to learn about the mystery man of the castle, particularly his past, reason to be ended like that. And following, a twist in the narration leading to the finale, everyone's fate will be revealed.

> ❝Remember... A life for a rose.❞

The film was two hours long and well filled with the scenes in it all over. It doesn't feel like we're watching a fantasy film. The colours, costumes, medieval story, misty mountain, all is the major reminder that you are watching a fairy-tale. Though you won't get anything magical from the story right away. Not until the third act. As for the story, from such vastly known tale, you can't expect any major surprise. As I said, some minor changes can be witnessed throughout. But such kind of scale the flick has in all the department, that too coming from Europe makes it a very special.

Definitely no to comparison with the Disney's. Both of them were fine products on their own way. But people would compare and pick one when they are based on the same source. That can't be stopped. Disney had created their own brand, aiming for kids. You can find the people who liked both the live-actions. I never knew the original tale, I mean from the original source/text. Those who are familiar with are saying, this is most closest one. But something I did not understand was the Beast was cute furry Beast, just like Disney's. I anticipated something tough physique, hard character, I mean Beast as a real Beastly.

Excluding that slight displeasure, I have had no other complaints with the film. I enjoyed it, yet there's another thing which is actually a question rather than a disagreement. The actors did their parts, though I felt the Beast character should have been played by a younger one. Vincent Cassel is a brilliant French actor and he did his best for it. Lea Seydoux as Beauty surely an excellent pick. The direction was good. Cautiously spent for everything in the film. So they have got a fine final product. Most of the people going for it, only keeping in mind Disney. You won't get that Disney's singing, dancing, overall appeal. One must clear off his mind from any great ideas and then only give it a try. Remember, it is not a very good film, but simply a good film.

_7/10_

"

[HD] Beauty and the Beast 2014 Azerbaycanca

Kısa film

Harcandı : $703,241,121

Gelir : $948,801,242

Kategoriler : ein Gesetz dunkle Feinde - Preis , Liebe - Universum , Erlösung - Neuseeland , Spionage - Idee

Üretici Ülke : Weißrussland

Prodüksiyon : TvBastards

Beauty and the Beast is the adaptation of a story by Madame de Villeneuve. Published anonymously in 1740 as La Jeune Américaine et les contes marins, it paints a portrait of Belle, a joyful and touching young girl who falls in love with the Beast, a cursed creature in search of love and redemption. In 1760, a condensed children’s version was published. It was from this version that Jean Cocteau and then Walt Disney drew their famous adaptations. Overshadowed, the original version by Madame de Villeneuve has never been adapted for the screen... until now!
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The Hunger Games 2012 Azerbaycanca

The Hunger Games Azerbaycanca 2012

süre : 191 saat tutmak Wahlstimme
oy müzik parçası : 2.7/10 (69358 oy kullanmak)
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adet : 5.2/10 (75631 Stimme)

The Hunger Games 2012 Azerbaycanca

The Hunger Games Azerbaycanca-sinema-bileti-DAT-2012-MPEG-MP4-1440p-MP4-MPEG-MPEG-1-Blu-ray-online stream-uncut-Sonics-DDP.mp4

The Hunger Games-after-credits-online schauen-2012-blu ray-Dolby Digital-online anschauen-deutsch-blu ray-deutsch-DAT-uncut-BRRip-uncut.png

Very well made movie with quality writing, acting and cinematography.

**Pros**: strong performance from the star. Technically excellent.

**Cons**: Seems to me that the ending was premature but perhaps intentionally so - for a sequel? Character development is largely weak but there are a lot of characters and already a long movie so I suspect a lot was left on the cutting room floor.

Despite some weakness, still a compelling movie worth a watch if not up to all of the hype.
Stories about revolution can be quite good. But stories about why a revolution is needed are invariably great. The Hunger Games is such a story.

The movie (for the most part), closely follows the book, and does a good job of it. It also sets up the next book/movie beautifully, even better than the book itself does.

The premise, of course, is borrowed from Ancient Rome, when gladiators and/or criminals an/or people whom the emperor wanted killed were forced to fight each other to the death in a public arena for the entertainment of the general populace. And just as decadent as Rome was back then (only rescued from itself by the rise in prominence of The Christian sect), so the "Capitol" is now portrayed in the film/book---and the film portrayed the affluent decadence of the Capitol quite well.

In this particular instance the "tributes" were chosen at random from among children aged 12 through 18, and it was meant as retribution and reminder of the "crimes" the 12 colonies committed by reveling against the authority and rule of the Capitol 74 years ago. At the public "reaping", when a boy and a girl were chosen to become the sacrificial tributes at teach of the 12 colonies, the Decree of Punishment was read and the colonies were reminded that this punishment was established to demonstrate how weak the colonies were in comparison with the Capitol, in that the Capitol could take the most prized possessions of the colonies (namely, their children), and the colonists themselves could do nothing about it. And to really rub it in, the colonists themselves were forced to watch the tournament proceedings.

I have to say, the punishment is deviously clever from the point of view of the Capitol. It certainly keeps the Colonies divided in spirit (they were already segregated physically, with no communication between them allowed by the Capitol), for in cheering for their own children they are therefore cheering for the defeat---and therefore death---of the other colonies' children. It also keeps colonists divided within each colony, for there can only be one champion, which means that in wishing their children not to be chosen at the reaping, each colonist is thereby wishing that someone else's children be chosen. Furthermore, in celebrating that their children were not chosen, they are also, incidentally, celebrating that some other person's children will likely die. And for the families of the chosen children, in supporting their own family member during the tournament, they are incidentally supporting the death of the other family's child. And it keeps the population of the colonies low, which the Capitol would want to promote (less chance for another insurrection if the population is low): for the youngest are taken, before they are married, and those who survive the yearly reapings will think twice about having children of their own and having them go through this traumatic process year after year during their most vulnerable adolescent years. And furthermore, the Capitol encourages the colonists' tacit endorsement by rewarding the winner's Colony with extra food that year (hence "The 'Hunger' Games"). But it is all manipulation, in the end.

In fact, by the end of the Games, right before being killed himself, one of the most avid killers among the children realizes just how much it all is the Capitol's manipulation, how pointless it all is to those who participate, and how, in the end, he didn't really have a chance---that he was destined to die from the beginning---and that killing or being killed is all that not only the Capitol, but also his Colony, want from him. An eye-opening realization for someone who up to this point had been quite eager to kill his fellow children.

Given the vicious circumstances which were thrust upon these children---none of which is their fault---the question naturally arises: how should a child bound under the moral law behave? Should he try to win, by killing the other children? Should they try to win at all? Should they let themselves be killed, in order that another might live?

Of course, the obvious moral choice would be for none of the children to participate in this horrendous form of reality television: if they do not fight each other the show is not interesting, and eventually it is discontinued. The children would likely still be executed, along with many of their own family members in reprisal from the Capitol. If one thinks in terms of consequences only (utilitarianism), then this would be the wrong approach: after all, they would say "it is better that one person survives than that they---and all their families---die". But such thinking is quite repugnant, however logical it is. Consequentialism is missing a big piece of the moral landscape, namely that we ought not to become evil ourselves in our fight against evil. Yes, the consequences of "civil disobedience" as could morally be practiced in this scenario are more dire in terms of the quantity of damage made. But they are much more preferable in terms of the quality of damage made. By fully participating in the carnage (and inflicting some yourself) you become complicit in the very evil which oppresses you. Similarly, your family, and even your colonies (and all colonies, for that matter) become part of the system, and in some tacit way endorse it---for they all want their children to live, and tacitly support the other colonists' children's death. Furthermore, what kind of person does one become after killing 23 children by brutal means at a very young age (when the impressions of life still shape us in a powerful manner)? What kind of society does one help create when one has inwardly become a psychotic monster? What kind of society abides criminal monsters in its midst?

But, some will claim, it is unrealistic to expect each and every child to be morally minded, especially when some children (from two different colonies which are highly favored by the Capitol) actually volunteered for the "honor" to represent their colonies at the tournament. What is the correct moral response when civil disobedience is not an option (no opportunity) and some, if not most of the other children are out to kill you, whether by pleasure or need to survive?

It seems to me there are two possible moral responses. one of them is the route of self-defense, whereby one does not intentionally kill or go out of one's way to engage the enemy, but tries to flee as a first alternative, BUT where one DOES defend oneself against the attacks of others, and inflicts only as much harm as is necessary to stop the aggressor, AND only if absolutely necessary one uses lethal force. In the end, very likely, the Capitol would force matters to a resolution, either by forcing "aggressors" and "defensors" into a particular area (very good television), or by artificially creating natural/artificial disasters which killed whomever they disliked most. But, again, this would be the Capitol's doing: an evil force acting evilly which one cannot stop. One would have been preserved from sinking to doing/becoming evil.

The other moral route, the more perfect route, would be the route of Jesus: to willfully become the sacrificial lamb for the sake of spiritual (and therefore) moral change. The martyrs of the Church have for ages followed this route, to the spiritual benefit of the whole Church, and the cultural benefit of all humanity. The spiritual benefit is quite and readily seen through the Communion of Saints, whereby these martyr's love renews and creates the Church anew, greatly adding to the spiritual gifts of which the rest of us partake---gifts which slowly transform us for the better, over years and generations. And it is this transformation which over the centuries affects culture. Gradually better people live their lives out in gradually better communities. And Love wins out at the end of time. After all, very few societies nowadays would consider it acceptable to inflict the tortures which were inflicted to prisoners (especially Christians) in the ancient days of Rome: we are all repulsed by the Capitol's Decree of Punishment. If we only partook more of those graces which Christ offers through His Church!

One particular odd feature of the book (and the film) is the avoidance of any mention of God or religion whatsoever. Not even empty phrases deriving from religion appear ("My Gosh", "God willing", Christmas, Thanksgiving, etc.). Why is that, especially when the subject matter so clearly lends itself to a religious treatment? Why is that, when the least historically educated among us would have heard the stories of the Christians ushered into the Colosseum to be executed/sacrificed? The closest religious reference is when Katniss Everdeen improvises a type of tribute around a fallen friend and ally in the game by creating a bed of flowers for her: the very earliest expressions of the religious impulse, as some Anthropologists would tell us. Why has the author scrubbed her book from religion at all? Is she so antagonistic to religion that she will not abide it in her book, even when it seems quite apt? If so, the bed of flowers tell us that the most primitive of religious impulses remain with her still. Or is the author trying to appeal to everyone, thus removing religion from the surface of her story so as to not alienate people of different religion than the one she chose to portray, while at the same time infusing her work with religious themes at the substrate level, where they are more powerful? Or is her point that the despotic Capitol destroyed all hope quite successfully, even the Hope of God? Given the richness of the religious themes I see in this book/movie below the surface, I am very much inclined to believe that the last of these options is the correct one. But I may be seeing what I want to see, simply because I like the story.

Now, turning to the more artistic features of the movie: The most impressive performance was done by the actor who played President Snow. His facial expressions were insuperable and spoke tons in the few lines he delivered throughout the film. His performance was astoundingly good, his face delivering contempt, skepticism, and hatred (sometimes all at once) along with the "weight of office" while speaking seemingly innocuous lines, or even while congratulating the winners (there were two winners from District 12, thanks to the cleverness of Katniss Everdeen in turning the television show against its organizers!) of the 74th Hunger Games. He single-handedly set up the next movie installment.

But the casting of Peeta is all wrong. From the book it is clear that Peeta is not handsome at all, that Peeta is the boring guy who never had a chance when it came to women, and who doesn't have a chance when it comes to Katniss Everdeen who clearly has feelings for another guy. Which makes it all the more poignant that he is desperately in love with her, and is willing to give up his life for her. In the movie he is played by a movie-star-handsome actor who clearly would have trouble keeping women away from him, and who would therefore be quite self-centered and clueless, rather than the thoughtful man he is in the book.
I had not really bothered to put this movie on my to-watch shelf since I felt it was not really my cup of tea but when my wife and oldest son wondered why we did not have it in our collection I thought, well, okay let us get it then. Actually I got the set with the two movies that have been released and yesterday we watched the first one.

Well, as far as I am concerned, it is not a turkey, it is rather “okayish” but I certainly do not understand all the hype. It is really far from a great movie. But then, I am probably somewhat biased since, as I wrote above, I did not really think this movie was my cup of tea. Anyway, it starts of with a lot of scenes in “wobblycam”. I have not met any person outside of the movie industry and self-proclaimed so-called “critics” that actually likes it when the camera wobbles around, scenes are blurred and you generally get nauseous by watching. Bad start!

The backbone of the story is ludicrous to say the least. Part of the world leaves in luxury when the rest is starving. Been there, seen that. Every year a seemingly random selection of kids, not adults but kids, are selected to fight to the death under some silly pretext of “preserving the peace”. As I said, ludicrous. The entire air of ludicrousness is enforced by the wacky costumes, makeup and hair styles of the people in the capitol. As I science fiction and fantasy fan I could easily live with this but, sadly, the movie made me only mildly interested in following the characters to the end.

The acting in general is adequate but nothing special. Having said that it must be difficult to actually make anything out of some of the silly roles in this movie. I for sure would laugh my head off every time I entered a scene with all of those ludicrous (yes I know I have used that word a lot in this review, live with it) costumes. The main characters act like the children, with absolutely no clue what they are doing, that they indeed are. This is of course entirely in line with the story but still, the main character is spending a lot of the time running away and sitting around looking startled, sorry or depressed when the games start. I have to say that, at times, the movie felt a bit boring. I have liked several movies that are very slow but here it simply did not sit right.

The games themselves with those dickheads in control and the changing rules, well they were mostly frustrating.

This movie, to me, is a movie for a young adult audience. I have not read the books and I can see how this kind of story would work for a YA book. Personally I was not unhappy having seen the movie and now, having watched the first of the movies I will watch the rest as well but for me it was okay as a two-hour diversion, nothing more.
I don't really know what's so special about this movie. I found "The Running Man" or "Total Recall" much more deep thought than this. Is it maybe that the main character is a female?

Still, it is entertaining and, in this regard, it does its job.
The Hunger Games is a new concept in a long line of post-apocalyptic future fantasies. Where other stories of the same genre often deal with technology and artificial intelligence as the main threat to human existence, Hunger Games actually takes us back to Roman times, with a revitalised version of "Panem et Circenses" or "Bread and Circuses". Simply put; human devastation as mass entertainment. Welcome to Panem: formally known as The United States of America, where every year, a young man and woman from each of the twelve districts are selected to fight each other to the death, with only one possible survivor. These Games are broadcasted on national television as a means to keep the people happy and submissive.

Considering the fact that this film is based on a teen book series (written by Suzanne Collins), I can't help but feel this concept is pretty far out there, and actually it's kind of sick. It's not a pretty idea to think that one day we might live in a world where watching young people, ranging from 12 to 18 years old, brutally murder each other is considered to be a form of mass entertainment. Thankfully, this is 'just' a story, and I must say, a very entertaining one at that (no pun intended).

The story revolves around the two youngsters from District 12, where the people are dirt poor and life is utterly desolate. 16-year-old Katniss Everdeen volunteers as 'tribute' to fight in the Hunger Games, after her little sister is initially selected. Her male counterpart is Peeta Mellark, and together they set off to train for and participate in the Games.

The character of Katniss is played by Jennifer Lawrence, and she is terrific. Actually, she is my biggest recommendation for watching this film. Before this, I had only seen her in X-Men: First Class and thought she was pretty good, but after seeing The Hunger Games, it's not hard to see why this 21-year-old already has her first Oscar nomination under her belt. She has a very natural quality about her, which makes it very easy to make you empathise with her character. She's not a superficial, happy-go-lucky kind of girl; she's actually very sullen, not even particularly likable. And yet you just love her from the get go. I guess it's charisma, and Jennifer Lawrence definitely has it.

Actually, this film is full of great actors. One of the greatest is definitely Stanley Tucci, who plays his most flamboyant role yet. His character (Caesar Flickerman, the TV-host who emcees the Games) is ridiculously over-the-top, but brilliantly amusing. With blue hair, prosthetic teeth and a big horse's smile which he flashes incessantly, he looks like a PG-13 version of the Joker. And if you're at all familiar with Tucci's work and talent, you know just what I mean when I say he's making this character appear to be oh-so nice, yet subtly sadistic at the same time. He's just great, period. Woody Harrelson also has a pretty interesting role as Haymitch Abernathy, a once-winner of the Hunger Games, who now mentors Katniss and Peeta in their training. He's scruffy and gnarly, basically just typically another weird Woody character, which is always worth the watch. Wes Bentley plays Seneca Crane, a character most notable for his unusual facial hair: he sports a beard Lucifer himself would be proud of. However, the biggest surprise to me was Elizabeth Banks, whom I am well familiar with, but never really cared for because I only know her from superficial, comedic roles. I was pleasantly surprised to see that she can also play challenging roles like this one. She plays Effie Trinket, a bizarre, neo-Renaissance type from the richest District, big wig, crazy make-up and all. She's pretty much the female version of Tucci's character and she was a delight to watch, beautifully grotesque in all her decadence.

Unfortunately, it can't all be great. I had three major problems with this film. One: if you haven't read the book, there's a lot that doesn't make sense. They really should have spent a little more time explaining everything, because more than once it simply wasn't clear to me what was going on and why. And that's a risk no filmmaker should take. Two: Peeta's character. It could be just me of course, but he annoyed the crap out of me. He just comes across as such a sissy that it's frustrating to watch. Katniss burns her leg and deals with it. Peeta cuts his leg and stays lying in a cave because he "can't walk". And then he lets her take care of him, at the risk of her own life. Give me a break. Three: totally disappointing climax. I was waiting for fireworks, for Katniss having to make brutal decisions, but this never happened. It just kind of faded out.

And this is how you can clearly tell this story has a mainly teenage demographic, and they obviously wanted to keep it PG-13. Because despite the sometimes pretty brutal violence, nasty use of weaponry and tomato ketchup-a-plenty, overall the whole just lacked, well (pardon my French)...balls. You can tell they tried to spike things up a bit here and there, but the film failed to make things truly interesting at moments where it definitely should have been. In my opinion, had they decided to make this rated-R, it would have been infinitely better.

Having said that, you can rest assured there is still plenty to enjoy. Visually it is absolutely awesome and simply beautiful. The costumes and make-up are great, as are the CGI effects. The characters (aside from Peeta...) are great, and the whole futuristic 'universe' that is created is pretty inventive.

There is actually still a lot more I would like to say, but I've reached my word-limit, so I'll just leave you with this: Thumbs up!
_(April 2012)_
A powerful movie that crosses several genres. From various post-apocalyptic movies we are shown the world after a worldwide disaster that has destroyed our civilization and left a more brutal one. From Spartacus the idea of gladiator games, with the added horror that these "fighters" are children who are presumably too naive to put up any resistance to the regime. From 1984 we have futuristic technology which can monitor anything the victims do, giving them no privacy in their last moments.

But the originality is in the heroine -- a tomboy determined to stay alive without losing her integrity. How can she keep herself and her friends alive in a fight when only one victim will be allowed to leave the arena intact, and an entire decadent empire is arrayed against her? This part was given to Jennifer Lawrence, who impressed audiences so well that she inspired numerous later action heroines -- Tris in DIVERGENT, Wonder Woman, Arya Stark, and others

"

[HD] The Hunger Games 2012 Azerbaycanca

Kısa film

Harcandı : $849,401,697

Gelir : $254,597,858

Kategoriler : Kommunismus - Weisheit , Geschichte - Freundschaft , menschliches Wesen - Atheist , Schwören - Mutter Stolz Apokalypse

Üretici Ülke : Schweden

Prodüksiyon : Wrather Productions

Every year in the ruins of what was once North America, the nation of Panem forces each of its twelve districts to send a teenage boy and girl to compete in the Hunger Games. Part twisted entertainment, part government intimidation tactic, the Hunger Games are a nationally televised event in which “Tributes” must fight with one another until one survivor remains. Pitted against highly-trained Tributes who have prepared for these Games their entire lives, Katniss is forced to rely upon her sharp instincts as well as the mentorship of drunken former victor Haymitch Abernathy. If she’s ever to return home to District 12, Katniss must make impossible choices in the arena that weigh survival against humanity and life against love. The world will be watching.
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